Artist Statement
For over two decades, Larissa Fassler has mapped the emotional, political, and physical contours of urban life through large-scale drawings, paintings, and architectural sculptures. Her work focuses on public sites such as train stations, plazas, monuments, and neighbourhoods, where social tensions are inscribed in architecture and everyday experience. These spaces often act as proxies for broader systems of power, and she approaches them as both subject and material.
Fassler’s process begins with fieldwork. She walks sites for hours, measures space with her body, and observes how people move, gather, or clash. She records fragments of conversation, signage, and data, layering them with archival and media research. These materials accumulate into dense, hand-drawn compositions that resemble maps or architectural plans, merging analysis with embodiment to reveal how inequality, power, and memory shape public space.
Through drawing and sculpture, Fassler assembles information in ways that highlight both structures of power and lived experience. Her work does not propose solutions; instead, it asks viewers to look more closely at the spaces they inhabit, to see the forces at play, and to recognise how the built environment both reflects and produces the conditions of collective life.
Bio
Larissa Fassler (b. 1975, Vancouver) lives and works in Berlin. She holds a BFA from Concordia University, Montreal, and an MFA from Goldsmiths, University of London. Her work examines urban life and public space through drawing, painting, and sculpture, and has been supported by the Canada Council for the Arts, Stiftung Kunstfonds, the Berlin Senate, and the Pollock-Krasner Foundation. She has been nominated for the MAC International Contemporary Art Prize (2018) and the Berlin Art Prize (2019).
Her work has been presented internationally in solo exhibitions, including a solo presentation at the Musée d’Orsay, Paris, entitled État des lieux, as well as Kunsthalle Lingen; the Currier Museum of Art, Manchester, NH; the Bröhan-Museum, Berlin; the Esker Foundation, Calgary; the Canadian Cultural Centre, Paris; and Galerie Jérôme Poggi, Paris. Selected group exhibitions include the Chicago Architecture Biennial, the 11th São Paulo Architecture Biennial, Fondation Grantham (Quebec), and KOW, Berlin.
Her work is held in public collections including the Berlin State Museum, the National Gallery of Canada, FRAC Nouvelle-Aquitaine MÉCA, and the Deutsche Bank Collection, and has been featured in Artforum, Frieze, Canadian Art, The New York Times, and ARCH+. A monograph on her practice was published by DISTANZ in 2022. She is represented by Galerie Poggi, Paris.
Curriculum Vitae
Education
Goldsmiths’ College, University of London, London, Master of Fine Art
Concordia University, Montreal, Bachelor of Fine Arts, Specialization: Sculpture
Capilano College, North Vancouver, Studio Arts Diploma
Social Orbits, Galerie Poggi, Paris
Art Basel Paris, with Kapwani Kiwanga, Galerie Poggi, Paris
Building Worlds, Kunsthalle Lingen, Lingen
Vermessung der Stadt | Measures of the City, with Benedikt Terwiel, Galerie im Rathaus Johannisthal, Berlin
Tissus urbains | Urban fabrics, La Galerie – Centre for Contemporary Art, Noisy-le-Sec, Paris
Ground Control, Galerie Poggi, Paris
Critical Cartography: Larissa Fassler in Manchester, Currier Museum of Art, Manchester, New Hampshire
“Not Enough Perfume, Too Many Puddles”: Marking the 150th Anniversary of Hans Baluschek’s Birth, Bröhan-Museum, Berlin
EMOTIONAL BLACKMAIL, Art in public space, curator Tirdad Zolghadr, a REALTY and KW Institute for Contemporary Art commission, Berlin
Transatlantique, The Armory Show, with Kapwani Kiwanga, Galerie Poggi, New York
CIVIC. CENTRE., Esker Foundation, Calgary
Transit: Ströme, with Mirko Martin, Schader-Stiftung | Hessisches Landesmuseum Darmstadt
Worlds Inside, Galerie Poggi, Paris
Extraits | Extracts, curator Catherine Bédard, Canadian Cultural Centre, Paris
EPICENTRE, Little Krimminals, Berlin
Walking in Place, SEPTEMBER, Berlin
And Then There Were None, with Richard Schütz, InterAccess, Toronto
Squirm, with Bettina Hoffmann, Open Space, Victoria
The Sexual Landscape Recast, with Karen Brett, Gallery 44, Toronto
People in Art/People as Art, Truck, Calgary
pedestrian, with Patricia Reed, WestGermany, Berlin
Teen Couples, Articule, Montreal
Doppelgangers, YYZ Artists’ Outlet, Toronto
Docudrama Series: Offerings, curator Jonathan Middleton, Westernfront, Vancouver
A Dinner Party for Jane Doe, with Barbara Prokop, curator Marcus Miller, SAW Gallery, Ottawa
Application for a Medal, S.O.X. 36, Berlin
No Contact Made: The Flower Project, Resource Centre for the Arts, St. John’s, Newfoundland
Art may imitate life, but life imitates T.V., with Barbara Prokop, Access Artist-run Centre, Vancouver
By any means, La Centrale, Montreal
Art may imitate life, but life imitates T.V., with Barbara Prokop, VAV Gallery, Montreal
Group Exhibitions
Tell Me Where Home Is, Kunstmuseum Wolfsburg, curator Uta Ruhkamp, Wolfsburg (upcoming)
Seeing Words, Reading Images, PalaisPopulaire, Berlin (upcoming)
Contraste et indifférence, curator Catherine Bedard, Canadian Cultural Centre, Paris
1.000.063rd Anniversary of Art, Galerie Poggi Paris
Contraste et indifférence, curator Catherine Bedard, la Fondation Grantham, Quebec
across, with, nearby, Bergen Assembly, 5th edition, Bergen
The Last Museum, Galerie Poggi Paris
megalomelancholia, curator Théo Diers, Carré de Baudouin, Paris
WALK THIS WAY, curator Kristina Groß, Kunstmuseum Ravensburg
L’Économie du désir, FRAC auvergne, Clermont-Ferrand, France
Map, Play, Game. La cartographie en jeu(x) : un art du jeu critique et de la géopolitique, Galerie La Box, Bourges
Building Blocks, Zuostant, Berlin
Under the Sun: Architecture of Enjoyment, Werkstadt, Berlin
Turning the Point – Sequenz 01 Checkpoint Morit, CLB Berlin
This Is a Rehearsal, Chicago Architecture Biennial, fifth edition, curated by the Floating Museum, Chicago
The Way We Are 5.0, Weserburg Museum für moderne Kunst, Bremen
ORNAMENT UND VERBRECHEN 6, LAGE EGAL, Berlin
Studio Stadt. Peripherien elektronischer Musik, an exhibition in two parts, Scharaun, Berlin-Siemensstadt
Studio Stadt. Peripherien elektronischer Musik, an exhibition in two parts, Kunstraum München
Sorge um den Bestand. Zehn Strategien für die Architektur, in collaboration with Denkstatt sàrl, touring exhibition: Bahnareal Erfurt (2024), WEST in der Alten WU, Vienna (2023), Citykirche Koblenz (2023); Museum für Kunst & Gewerbe Hamburg (2022–23); Robotron Kantine, Dresden (2022); Viktoriabad Bonn (2022); Schuppen 6, Lübeck (2022); Volksbank Münsterland Nord eG, Münster (2021); Technical University of Munich (TUM) (2021); DAZ, Berlin (2021)
Berlin, a 10-year itch, Pictura, Dordrecht
22/23 : spielzeit, Museum Morsbroich, Leverkusen
Transgressive – Non-conformist Approaches to the Art and the City, curator Lukas Feireiss, Kühlhaus, Berlin
EAW, Kunsthalle Lingen, Lingen
CHARTA# 3 – Pattern and Territory, curators Jan-Philipp Frühsorge and Stephan Klee, HAUNT, Berlin
Why can’t we live together – Collection Peters-Messer in Marburg, curator Linda Peitz, Marburger Kunstverein
Femmes à l’œuvre, Galerie d’art MI[X], Mourenx
The Landscapists, Stephen Lawrence Gallery – University of Greenwich Galleries, London
Living the City. On Cities, People and Stories, Tempelhof Airport, Berlin
Mapping along. Recording Margins of Conflict, Kunstraum Kreuzberg, Berlin
Expanse, Body, Space. Olivier Debré and artists-architects, curators Isabelle Reiher and Marine Rochard, CCC OD, Tours
“Step Out of the Strange Light”, Neuer Berliner Kunstverein (n.b.k.), Berlin
Willful Blindness, Institut d’Études Supérieures des Arts (IESA), Paris
Uferhallen-Manifest, curators Isabelle Meiffert and Sarah Theilacker, Uferhallen, Berlin
Living the City. On Cities, People and Stories, Tempelhof Airport, Berlin
The Place I Once Called Home, curated by Paul Hutchinson, Art’Us Collectors’ Collective, Breiterhof, Munich
Champs-Elysées – Histoire et perspectives, Pavillon de l’Arsenal, Paris
Ubiquitous Surfaces, curator Rita Aktay, SEAGER Gallery, London
Ground Control, curators Anais Castro and Verity Seward, R E I T E R galleries, Berlin
STADTSCHLAWINEREIEN, KOW, Berlin
Perspectives on Urban Spaces, National Gallery of Canada, Ottawa
Libertés de mouvement, Le FRAC Auvergne, Clermont-Ferrand
What Goes Around Comes Around, charitable art exhibition, Studiolo, Berlin
La Ville, Galerie Sophie Scheidecker, Paris
City Movement – Von Menschen und Räumen, curator Isabelle Stamm, Galerie im Saalbau, Berlin
MAC International 2018, The MAC, Belfast
New Acquisitions, Fondation Colas, Paris
Another World, curated by Tracey Emin, Deutsche Bank Wealth Management lounges, Frieze London, London
The World on Paper – Works from the Deutsche Bank Collection, PalaisPopulaire, Berlin
I am a crack, I go through walls – Works from the collection Peters-Messer and the Miettinen Collection, Salon Dahlmann, Berlin
Drawing by Numbers, Galerie Poggi, Paris
In correspondence with the drawing, curator Stephan Köhler, Michael Fuchs Galerie, Berlin
The Berlin Case, Boris Yeltsin Center, Ekaterinburg, Russia
DIMENSIONS VARIABLES – Artists and Architecture, curator Gregory Lang, Pavillon de l’Arsenal, Paris
Versuch, einen Platz in Berlin zu erfassen, L40, Berlin
EAST/ANBUL, ArtInternational Istanbul, Galerie Poggi, Istanbul
Promenons-nous…, l’Abbaye, Ville d’Annecy-le-Vieux, France
Matérialisme Histérique, Galerie Poggi, Paris
Hausbesetzung | Squatting, NKV – Nassauischer Kunstverein Wiesbaden, Wiesbaden
Beyond Architecture, NAK – Neuer Aachener Kunstverein, Aachen
Les Horizons, La Criée, Rennes
Vom Außenraum zum Innenraum. Sammlung Florian Peters-Messer, KunstHaus Potsdam, Potsdam
Winter Show, SEPTEMBER, Berlin
Dissident Desire / Chapter 2: Terrain of Threshold Voices, District, Berlin
Old School, Kunsthalle Kiel, Kiel
Algemeinplätze und Nahaufnahmen | Shared spaces and close-ups, SomoS, Berlin
Dysraphic City, Kunstraum Kreuzberg/Bethanien, Berlin
Urbanität mal anders, curator Dorothee Bienert, Galerie im Körnerpark, Berlin
Aufwachen! Besser machen! | Wake Up! Get It Right!, curator Meta Marina Beeck, Kleine Humboldt Galerie, Berlin
Berlin.Status (2), curators Sven Drühl and Christoph Tannert, Künstlerhaus Bethanien, Berlin
Stadt In Sicht | City in Sight — Works from the Deutsche Bank Collection, Museum Ostwall im Dortmunder U, Dortmund
The Architectural Ellipsis, curators Javier Toscano and Ruth Estévez, Centro Cultural Universitario Tlatelolco, Mexico City
FAIL!, Node Curatorial Center, Berlin
Design, Poverty, Fiction, Grand Hornu, Boussu, Belgium
Silvrettatelier, Palais Liechtenstein, Feldkirch, Austria
between appropriation and intervention, curator Harald F. Theiss, Kunstraum Kreuzberg, Berlin
How High is the Moon?, Galerie Jérôme Poggi, Paris
New Acquisitions, Fonds Municipal d’Art Contemporain – City of Paris, FIAC, Paris
Insight – Outsight II: Die Sammlung Florian Peters-Messer, Städtische Galerie im Park, Viersen, Germany
between appropriation and intervention, curator Harald F. Theiss, Kristiansand Kunsthall, Norway
Seitenlichtsaal:raumproduktion, curator Matthias Böttger, Kunsthalle Düsseldorf, Düsseldorf
Funkhaus Art Prize 2011, Funkhaus Nalepastrasse, Berlin
Art works, Art in the Deutsche Bank Towers, Frankfurt
Tape Modern No.20 ‘Destructionconstruction’, curators Daniel Kingery and Amir Fattal, Tape Modern, Berlin
Metrospective 1.0, Future Gallery and PROGRAM e.V., Berlin
Berliner Allee 174, curator Jean-François Karst, Centre Culturel Colombier, Rennes
Berliner Geschichten (Berlin Stories): The Collective Coral Colony, curator Adnan Yildiz, Tensta Konsthall, Stockholm
REALSTADT. Wünsche als Wirklichkeit, curators Martin Heller and Angelika Fitz, Kraftwerk Mitte, Berlin
Diskurshexe III, a part of “Are You Coming Too?”, Galerie Knoth & Krüger and SEPTEMBER, Berlin
Schwerinblicke – Künstlersichten, Staatliches Museum Schwerin, Schwerin
Splendid Isolation – Goldrausch 2009, Kunstraum Kreuzberg/Bethanien, Berlin
Ostrale’09 – third international exhibition for contemporary art, Ostragehege, Dresden
The New Omega Workshops, SEPTEMBER, Berlin
Selected Artists, Stipendiaten des Arbeitsstipendiums für Bildende Kunst des Berliner Senats, NGBK, Berlin
Video Visions, Edith-Ruß-Haus für Medienkunst, Oldenburg
Le Chamois de Messidor, Program – initiative for art + architectural collaborations, Berlin
Everybody Knows This is Nowhere, Galerie Wendt + Friedmann, Berlin
Urban Jealousy – 1st International Roaming Biennial of Tehran, traveling exhibition, Istanbul, Berlin, Belgrade
World One Minutes – Traveling Exhibition: Today Art Museum, Beijing; deBuren, Brussels; Gulbenkian Museum, Lisbon; Museu de Arte, São Paulo; Townhouse Gallery, Cairo
WALK! Spazierengehen als Kunstform, Kunstraum Kreuzberg/Bethanien, Berlin
Graphzines et autres publications d’artistes, Bibliothèque et Archives nationales du Québec, Montreal
Take My Hand, Nina Menocal Gallery, Mexico City
Take My Hand, ThreeWalls Gallery, Chicago
21. Kasseler Dokumentarfilm- & Videofest, Kassel
TAPE291, 291 Gallery, London
Out and About, sis boom bah Gallery, Toronto
ev+a 2003, Limerick City Gallery of Art, curator Virginia Pérez-Ratton, Limerick, Ireland
The Bigger Picture: Portraits from Ottawa, The Ottawa Art Gallery, curator Karen Love, Ottawa
Out and About, Century Gallery, London
Goldsmith’s Postgraduate Degree Show, Goldsmiths College, London
de•een•minuten – the•one•minutes, Sandberg Institute, Video Festival, Amsterdam
Bootleg, Spitalfields Market, London
Le scénario visuel de la page: 100 livres d’artistes, Bibliothèque nationale du Québec, Montreal
Videoarchaeology – Paris, International video festival, La traverse art centre, Paris
Videoarchaeology – Bulgaria, International video festival, ATA Center for Contemporary Art, Sofia
Video Vérité – Video exhibition of emerging Canadian artists, TED Gallery, Varna, Bulgaria
Random, Leonard and Ellen Bina Gallery, Montreal
Residencies
Leonard & Bina Ellen Art Gallery, Montreal (upcoming)
Cité Internationale des Arts, Paris, 2–12 program
La Galerie – Centre for Contemporary Art, Noisy-le-Sec
The Currier Museum of Art, Manchester, New Hampshire
The Récollets International Residency, Institut français and the City of Paris, Paris
SilvrettAtelier, Artist Residency, Bielerhöh, Austria
Cité Internationale des Arts, Paris, hosted by Berlin Senate
CESTA – Cultural Exchange Station, Tabor, Czech Republic
Work in Collections
The Currier Museum of Art, Henry Melville Fuller Fund, Manchester, NH, USA
Stadtmuseum Berlin, Germany
National Gallery of Canada, Ottawa, Canada
Global Affairs Canada – Visual Art Collection | Canadian Embassy, Paris
FRAC Nouvelle-Aquitaine MÉCA (Fonds régional d’art contemporain Nouvelle-Aquitaine), Bordeaux, France
FRAC Auvergne (Fonds régional d’art contemporain Auvergne), Clermont-Ferrand, France
Huma Kabakcı Collection, Istanbul, Turkey
La Fondation Colas, France
Le Fonds municipal d’art contemporain de la Ville de Paris (FMAC), France
Staatliches Museum Schwerin, Germany
Deutsche Bank Collection, Germany
Sammlung Peters-Messer, Berlin | Viersen, Germany
National Library of Quebec, Artists’ book collection, Montreal, Canada
Workshops and Lectures
HafenCity Universität Hamburg, Urban Design, Germany
L’École des Arts Décoratifs, program: “Nouveaux Imaginaires du Dessin”, Paris, France
Newcastle University, School of Architecture, Planning & Landscape, Newcastle upon Tyne, UK
Bergen Architecture School (BAS), Urban Research & Design Studio, Norway
Muthesius Kunsthochschule, Spatial Strategies, Kiel, Germany
Universität der Künste Berlin (UdK), Institute of Architecture and Urbanism, Germany
Leibniz Universität Hannover, Institute for Design and Urban Planning, Germany
ZK/U Berlin – Center for Art and Urbanistics, Germany
University of Gothenburg – HDK-Valand – Academy of Art and Design, Sweden
Technische Universität Braunschweig, Institute of Media and Design, Germany
Denkstatt, Basel, Switzerland
University of Sheffield, School of Architecture, MA Urban Design, UK
Western Humanities Alliance Conference “Spectral Cities”, Calgary Institute for the Humanities, Canada
Universität Innsbruck, Symposium “Visualising Immaterialities”, Institut für Gestaltung Studio1, Faculty for Architecture, Austria
Rapperswil conference “Atmosphere, Sensibility, Space”, HSR Hochschule für Technik Rapperswil, Switzerland
Universität Kassel, Department of Urban and Regional Planning, Germany
Bibliography
Durand, Jean-Marie, “Les 5 expos qu’il faut voir en janvier 2026”, Les Inrockuptibles
Collombat, Juliette, “Les meilleures expos du moment à voir à Paris: Avant les grands travaux, Larissa Fassler livre un état des lieux sensible du musée d’Orsay”, Beaux Arts 21.01.26
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Müller, Dominikus, “Mit der Länge meines Körpers”, Die Tageszeitung, 27.08.2008, p. 25
“Control: Drawing and Re-Drawing”, Paramnesia Berlin, 08.08.2008
Nedo, Kito, “Coole Ausstellungen für heiße Tage 2”, art – das Kunstmagazin, 01.08.2008
Dschungel, JungleWorld, Nr. 38, 20.09.2007
Ackermann, Tim, “Überall Promenadologen”, taz, Berlin, 3 September 2007
Mühling, Jens, “Gewinner und Flanierer”, Der Tagesspiegel, 2 September 2007
“Walk! – Spazierengehen als Kunstform”, Zitty, 30.8 – 12.9.2007
Manley, Claudia B., The Sexual Landscape Recast, Gallery 44 Exhibition Booklet, June–July 2007
Graphzines et autres publications d’artistes, Bibliothèque et Archives nationales du Québec, Canada, Deschamps inc.
Jager, David, “All-Ages Sexuality”, Art Reviews, NowToronto, Vol. 26 No. 42, June 21–27, 2007
Pedestrian – Connective and cacophonous non-places, Revolver, Berlin
McVeigh, Jennifer, “Two’s Company”, Calgary Herald, 4 February 2006
Reynolds, Travis, “Ich bin ein Berliner”, Swerve Mag – Calgary Herald, 27 January 2006
Ming Ho, Karilynn, “Public in Art/Public as Art”, Exhibition Essay, Truck Gallery, Calgary, 2006
Lafortune, Wes, “A Public statement: Larissa Fassler tracks teens and delivers flowers to explore social context”, 26 January 2006
Balcaen, Jo-Anne, “Teen Couples”, Exhibition Essay, Articule, Montreal
Dault, Julia, “At the Galleries: A Photographic Spin the Bottle”, National Post, p. B6, April 14, 2005
Wolkman, Michael, “Heart-Shaped Limbo”, Newcity, p. 18, 10 February 2005
Love, Karen, The bigger picture: portraits from Ottawa / Les mille et un visages d’Ottawa, The Ottawa Art Gallery, Ottawa
Love, Karen, “The bigger picture: portraits from Ottawa”, CV Photo, p. 35, Vol. 62, 2004
Goldsmiths Masters in Fine Art Degree Exhibition Catalogue, London: Perivan White Dove
O’Reilly, Paul, ev+a: 2003 On The Border of Each Other, Gandon Editions, Oysterhaven
Chaoimh, Mairead, “It’s the Mystery Flower Lady of Limerick City”, Limerick Leader, Saturday March 1
Nemerofsky Ramsay, Benny, Doppelganger (YYZine), Vol. 2, Issue 7, YYZ Artists’ Outlet, Toronto
Hirschmann, Thomas, “Top 10 Art Shows of 2002”, NowToronto, online edition, December 2002
Brayshaw, Christopher, “Adults Evoke Childish Impulses”, The Georgia Straight, 5–12 December 2002
McCormick, Katy, “Proof 9”, Gallery 44, Toronto, 2002
Martin, Annie, By Any Means, Pink Link / la proposition rose, La Centrale/Powerhouse, Montreal
Weekend AM – Arts Report, Angela Antle, CBC Radio Canada, May 12, 2001
“No Contact Made: the flower project”, Canadian Art, Maritimes Section, p. 20, Volume 18, Number 1, Spring 2001
Fuchs, Claudia, “Derselbe und doch ein ganz anderer”, Berliner Zeitung, No. 174, July 28, 2000
Groll, Martin, “Verschmidtste – Party am Märchenbrunnen”, Berliner Morgenpost, July 31, 2000
Meixner, Silvia, “Mein Name ist Schmidt – Meiner auch! Meiner auch!”, Die Welt, July 31, 2000
Johnson, Mia, “Barbara Prokop & Larissa Fassler – Art may imitate life, but life imitates T.V.”, Preview, 2000–01
Crevier, Lyne, “L’heure du thé”, ici, 9–16 March 2000
Lamarche, Bernard, “Icones insolites”, Le Devoir, D7, March 2000